Jan. 30th, 2006
A Cock and Bull Story
Jan. 30th, 2006 08:43 pm

Anyway, then we go, minus Richard, to the Odious cinema
(£7.50! Cheap Tuesdays at Wood Green have spoiled me) to see the new Michael
Winnterbottom vs Steve Coogan effort which is very funny and very
clever and even rather subtle. Rob Brydon, whose Marion and Jeff show made me
yawn, even manages to out-brilliant Coogan. It reminded me a little of Adaptation,
although it went further than that by having a film within a film within a
film: the final scene was the first showing of the movie; the film’s production
staff now playing themselves. My only gripe is that it seemed to have one
comedian from each British comic series, one from the Fast Show, one from
Little Britain, one from Black Books, one from Fry and Laurie etc. I kept
expecting Simon Pegg or Catherine Tate to pop up as a key grip or a comedy
midwife, and the part of Rob Brydon’s/Uncle Toby’s servant, Trim, looked like
it had been written for MacKenzie Crook.
Mostly, the film seemed to be about the boring arduous process of making a film. Coogan had no time for himself, his partner or his baby; he was just rushed around from shooting to interviews to screenings of the day’s filming, to bickering with Brydon, to costume and then to make-up - ordering a hundred vodkatonics and never finishing any of them; a strange world where his food and drink and hotel were bought and brought for him, nothing to pay for, no independence, the sort of world that ends up feeling less real than a cheap matinee cowboy flick.
A Cock and Bull Story
Jan. 30th, 2006 08:43 pm

Anyway, then we go, minus Richard, to the Odious cinema
(£7.50! Cheap Tuesdays at Wood Green have spoiled me) to see the new Michael
Winnterbottom vs Steve Coogan effort which is very funny and very
clever and even rather subtle. Rob Brydon, whose Marion and Jeff show made me
yawn, even manages to out-brilliant Coogan. It reminded me a little of Adaptation,
although it went further than that by having a film within a film within a
film: the final scene was the first showing of the movie; the film’s production
staff now playing themselves. My only gripe is that it seemed to have one
comedian from each British comic series, one from the Fast Show, one from
Little Britain, one from Black Books, one from Fry and Laurie etc. I kept
expecting Simon Pegg or Catherine Tate to pop up as a key grip or a comedy
midwife, and the part of Rob Brydon’s/Uncle Toby’s servant, Trim, looked like
it had been written for MacKenzie Crook.
Mostly, the film seemed to be about the boring arduous process of making a film. Coogan had no time for himself, his partner or his baby; he was just rushed around from shooting to interviews to screenings of the day’s filming, to bickering with Brydon, to costume and then to make-up - ordering a hundred vodkatonics and never finishing any of them; a strange world where his food and drink and hotel were bought and brought for him, nothing to pay for, no independence, the sort of world that ends up feeling less real than a cheap matinee cowboy flick.