Hordes Of Scribbling Women #16
Jul. 15th, 2015 05:47 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Tigers In Red Weather is read. Next up is NW by Zadie Smith. I have a bit of a difficult relationship with Ms Smith. Like everybody else, I read White Teeth, and I liked it; however I didn’t think it was the game changing masterpiece it is now considered to be. It was an enjoyable tale of three generations of Londoners, but more than that? Really? I couldn’t help but feel that it was so revered because the white, middle class literary establishment like to let in an outsider now and again (c.f. Tracey Emin).
Anyway, then I read The Autograph Man and hated almost every page of it, so I decided that me and Zadie were through. However, a couple of years ago, The Guardian printed the first chapters of NW and also Sweet Tooth by Ian McEwan and strangely, since I normally like McEwan (Amsterdam, Chesil Beach and Saturday aside), I much preferred NW.
Anyway, then I read The Autograph Man and hated almost every page of it, so I decided that me and Zadie were through. However, a couple of years ago, The Guardian printed the first chapters of NW and also Sweet Tooth by Ian McEwan and strangely, since I normally like McEwan (Amsterdam, Chesil Beach and Saturday aside), I much preferred NW.
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Date: 2015-07-18 12:27 pm (UTC)I'm surprised it's considered a game changer. Even Zadie Smith has turned her back on it. She said she can't bare to read it - it makes her cringe. (I think it was James Wood that shot it down when he lumped it alongside Jonathan Franzen's stuff and others with his "hysterical realism" tag.)
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